An artist is rarely self-made. The foundation is almost always laid by someone
else, long before the canvas appears." My Dad taught me how to be an artist, before I knew I was
one."
He taught that creative sparks arrive without warning and must be met
immediately — that the energy of a new idea is the raw material itself, and to
hesitate is to lose it. He modeled process: try new ideas, new materials, new
concepts, until you find what is authentically yours. He taught that art is not made
in a moment. It takes time. It is a labor of love.
What he gave most freely was this: he finished his work, then stood back and
watched silently as others encountered it — not to hear praise, but to know
whether they could see what he saw. Whether they could feel what he felt. That
anticipation, that silence, that hope — it lives in every piece made here.
Art did not arrive as ambition. It arrived as necessity. My daughter opened the
door. What followed was the discovery that writing out pain was not enough —
that there were parts that had to be painted open, not written out.
This is where the work begins: in the subconscious, where a blank canvas
becomes a space for what language cannot hold. Guided by intuition rather than
intent, each piece surfaces memories, thoughts, and the things we carry without
names.
"Art found a lost soul — and gave her somewhere to put it."
The result is work that does not decorate. It inhabits. Heavily textured oil paintings built through palette knife, various material, and physical process — surfaces that hold light differently depending on where you stand. Paper works cut without
a plan, assembled into compositions that reveal themselves only in completion.
Each piece is a key, not an answer.
Every piece reinforces themes of consciousness, faith, and time. The work
challenges the viewer to look beyond the surface — to move past familiar
perspectives and remain open to what the present moment is offering.
This is not art made for walls. It is art made for the people who stand in front of
walls and need to be reminded of something they already know. Corporate
environments, private collections, hospitality spaces, and homes — the work
scales because its intention does not change with its setting.
What you see is the result of a practice built on sparks, on process, on pain
transformed, and on the quiet belief that if you can see the vision, you can feel
the love behind it.
S U B M I T A N I N Q U I R Y
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